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News for & about people supporting the UO
Everybody Sing 'Ah!'
But it’s not just about stellar performances or
star soloists. “This is more than just making music
for simple, naïve, artistic excellence,” says
Armstrong. “It’s about producing music and
art so that it transforms lives. It builds bridges. It
makes us better human beings.” A handful of youth
programs in the U.S. offer this level of vocal training
and performance, but most are all about solo performances.
Few emphasize the ensemble experience, or community, as
the Stangeland Family Youth Choral Academy does.
“What I think is so distinctive about the Oregon
Bach Festival,” says Armstrong, “and the thing
I’ve been drawn to is, first of all, this is really
a family. We expect them to reach the highest level of
excellence they can—not for selfish reasons, but
to become better people and to share a musical experience
that enriches others. They walk away from these ten days
as stronger and better people. It’s not second-class
citizenship to be in an ensemble. I think this is unique,
and part of what Maestro [Helmuth] Rilling [Bach Festival
artistic director] has talked about for years, building
community.”
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A student practicing during the Stangeland Family Youth
Choral Academy's annual summer youth choral program.
"We must give kids a chance to participate
and understand this great music, or the future of orchestral
and choral music will be lost. These young adults get to
work with one of the great conductors of Bach and are taken
through a very extensive educational experience. This is
perfectly consistent with the Stangeland Foundation's goals."
-Brad Stangeland of Eugene, a board member
of the Oregon Bach Festival.
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